Wednesday, 1 May 2019

A Panoply Interview with The Acropolis Gallery.

Antiquities belong in museums (*Indiana Jones shouting*)! So what do you do when you want to brighten up your home or classroom with a bit of classical pottery action? One answer of course is to turn to a replica maker. Today we're talking to Anna Kolinska & Patrick Kolinski, the Athens-based artists behind The Acropolis Gallery (https://www.etsy.com/shop/AcropolisGallery). The Acropolis Gallery creates replicas of ancient works on ancient shaped vessels and new designs based on ancient iconography. Replica-lovers will find a shop link and discount code at the end of the interview. In case you're wondering, Panoply and the Acropolis Gallery are not connected businesses, we're just mutual vase enthusiasts!

1) You have a pretty enjoyable line of work. Tell us a bit about how you got into it.
From my very first years I loved to paint. I just painted on everything...with all types of different oil paint, graphics and pencils. Everything started when I chose to live permanently in this wonderful place. I met people who love this type of ceramic and a potter who lives here in Athens. It was that step - he impressed me with his skills. It was magic, to go from a piece of clay to this amazing result with so much history of beauty from the past. Greece is a historic place full of art and colours; that motivated me to work in that direction. After all these years I know that everything around Greece (the climate, sea, sun, the blue of the sky) stole my heart. I choose to stay here to work and give to the world pieces of Greek art. So, in our store we not only sell Greek handmade ceramic souvenirs, we give the positive energy of this place to our customers.

Above, an Acropolis Gallery plate featuring the Minotaur.

2) Do you feel that it's important to keep this tradition alive in Greece?
Pottery was important to the ancient Greeks for storage. Everything from wheat to wine was stored in pottery. Pottery was made by shaping clay on a wheel, decorating the pot, and then heating the clay in a kiln... All these steps and that history come from the past. We have to continue it, to make people feel excited about them. I think that when you come to Greece you can see a lot of wonderful things. We can start with the history, the sea, food... the amazing places, hospitable people all of that... but if you want to take something back home it must be a Greek souvenir, something that you can keep in your house and feel all that positive energy from this historic place. Acropolis Gallery is all about that - you can discover the world of ancient Greek art with wonderful handmade ceramics.

Above, familiar Greek pottery motifs.

3) What are some of the challenges that you face when you are making replicas?
Greek pottery is one of the most fascinating and probably the oldest of the Greek minor arts. The first step is to make the same material from clay. I mean, to make one vessel is easy, but to create the same dimensions as those used in antiquity is hard! So we always have the details from museums to work with. Because fired clay pottery is highly durable we need to buy only good quality clay and it's so hard to find. Believe it or not, only a few potters in Athens have that high quality clay in their pieces. It costs a lot of time to create one piece, sometimes many days and you must be so careful with it... the final result is always something that can bring tears. I love it so much, that's why I continue to make it... I always think of that history of the faces I am painting. That makes me work with more passion to finish it to a high standard however hard it is.

Above, Acropolis Gallery's take on the familiar scene of Achilles and Ajax gaming - made famous by Exekias, imitated by a host of other pottery painters ancient and modern, and animated in Panoply's 'Clash of the Dicers' animation.

4) How do you navigate the balance between authenticity and innovation?
Sometimes I start to make an amphora design, for example, from nothing. I might change the faces a little, or the colours. I'm a free artist but I keep some authentic feeling and features and "connect" them with new colours or new techniques to make something that is the same yet different; ancient yet new.


5) Which do you feel are your most successful designs?
The one I find most lovely is a Corinthian style piece on which you can see lions, panthers, boars, goats, sirens and swans. I love the feeling of painting more "freely" on these pieces...you can see nature in it all around. I also like Minoan period style which is inspired by the Aegean Sea and adorned with colourful dolphins (the symbol of Harmony), octopus, coral and fish. They make me feel good and having spoken to people about them I know that people enjoy having these designs around them in their homes. Maybe some of them made a beautiful Greek gift to a loved one. I'm happy with that...I enjoy it!

Above, an amphora in the Corinthian style.

6) Who's your favourite ancient Greek? I can say that is Athena. The goddess of wisdom, courage, inspiration, civilisation, law and justice, strategic warfare, mathematics, strength, strategy, the arts, crafts, and skill. What more can I say?!! Back in history she helped all the people around, she gave the olive tree to them. I can tell you a short story about it... Athena, became Athens' patron goddess after a contest with Poseidon. The two gods competed for who would get the honour of becoming the patron god, and they offered gifts to the Athenians. Poseidon hit the ground with his trident and created a spring, showing that he would offer significant naval power. Athena, on the other hand, offered the olive tree, a symbol of prosperity and peace. The Athenians, led by King Cecrops, decided to take Athena's gift, making her their patron goddess. Here where I live, where everything started...

Thank-you for the chance to talk with you and all your fans. We invite you to visit Athens - that wonderful and historic place! For your fans we offer you a gift, a 20% off coupon to use in our store on ETSY (enter the code: PANOPLY20)https://www.etsy.com/shop/AcropolisGallery. Now you can decorate your house with lovely vases and feel the Greek culture around your place.

Above, some Athena appreciation from The Acropolis Gallery.

A massive thank-you to Anna and Patrick for talking to us about their wonderful work. In other news, Panoply's very own Dr Sonya Nevin will be talking about vase animations and the 'Our Mythical Childhood' project at the University of Reading from 4pm on Thursday 8th May in the Edith Morley building – be there if you can!

Monday, 11 March 2019

The Art of New Ancient Vases.

Like a sonnet, a haiku, or a humble stamp, ancient Greek vases were created within certain constraints of form. Those constraints of shape and colour make the Greek vase a recognisable type which in turn lends itself well to being imitated – in ceramic or illustration. Frequent readers of this blog will know that at Panoply we're big fans of creating new vase scenes on card or clay as part of thinking and learning about antiquity. We've even looked in the past at how the conventions of vase painting have been adapted within Star Wars fan art to create Greek vases from a galaxy far far away. In this post we'll look at a few more examples of modern 'ancient' vases and how people have worked within the constraints of the genre to make their point.

Naturally the way that the red and the black scream 'Greece' makes ancient pottery a great format for illustrators who are addressing Greek themes. This made vase themed cartoons a popular choice when the Greek financial crisis hit the headlines.

Above, 'Grexit Vase' by Sunnerberg Constantin has heroically nude warriors in the classical style fighting back against an onslaught of be-suited modern day bureaucrats. https://www.cartoonmovement.com/p/6347

Above, Sergei Tunin's 'The Greek Divide' uses a similar contrast of classically nude figures resisting the clothed representatives of the modern world – in this case riot police rather than money-men. The crack through the vase acts as an instantly recognisable metaphor for division within society. https://www.cartoonmovement.com/cartoon/638

Above, police force also seems to have been on the mind of Hajo of Studiohajo in creating his 'Greek vase'. Without the presence of antagonists, the focus falls more exclusively on the police, whose heavy protective gear adds to the sense of them as a modern iteration of the ancient soldier. All is not well, however. The gun is smoking and the vase is cracking, the cracks once again expressing stress on our social fabric.

Above, Dave Granlund seems to have a more optimistic approach to the same subject with his work, 'Vase repair job'. The Greek economy vase is damaged, but EU glue is piecing it back together and not a rifle in sight. http://www.davegranlund.com/cartoons/

The format can work for topics beyond Greece of course...
Above, Cleon Peterson, takes a far from optimistic view of the modern world. This is his 2017 work 'Trump', featuring a fiercely tiered and none too harmonious society. Peterson has a penchant for dystopian scenes realised in the stark reds and blacks of vase art (the original of 'Trump' was black and red too). The limited palate, constrained space, and bold figures all add to the power of the image. You can see more of his reimagined Greek vases here: http://www.artnet.com/artists/cleon-peterson/.

This post has been a brief look at some political pots. More new ancient pots in the next post, but this time a promise of some funny ones.

Fancy drawing your own scene? Get stuck in on your own or come and see us at the Iris Project Festival of Natural History, Classics and More, Oxfordshire, 27th March 2019.
Free – and no booking required unless you fancy bringing a school group. http://www.irisproject.org.uk/index.php/resources/14-resources/215-iris-festival-of-natural-history-classics-and-more-27-march-2019

Tuesday, 1 January 2019

Happy New Year, vase fans!


2019 promises to be an enjoyable year for vase animation fans. September will see the release of our Mythical Childhood animations in coordination with the opening of the new antiquities galleries at the National Museum in Warsaw, where they are due to take a dramatic role amongst the pots. We'll be showing some of them at some events and schools before then, so come and see us if you fancy a sneak peak. And before then, have a quick look here.

Heracles, who you can see above, will be hunting a mythical beast in his adventure. Meanwhile, Dionysus will be looking to kick off some good times:

Here he is looking for some likely helpers...

...and here is a likely looking candidate. We're big fans of this little fawn. (made from Nat. Museum Warsaw 142355 MNW)

You can also look forward to a simply extraordinary animation featuring Sappho and her daydreams about Troy. Big shout-out to Prof Armand D'Angour of the University of Oxford for creating the score for this animation, which recreates the melody of Sappho's own poetry. Pretty rad.

Above, Sappho conjures up tales of long ago.

We'll be bringing you something a bit different with a supercool Iris animation. Get ready to feel a little wonder. And you'll get a glimpse of the gods at home in what will be the final OMC animation to take shape. Watch this space for updates – and more – throughout the year.

Above, storm-footed Iris, bringer of rainbows.

You may recall that we have also been dipping out toes in Roman waters courtesy of involvement in the Locus Ludi project. A fresco from the House of Deer in Herculaneum is the first of our Locus Ludi subjects. Below here you can meet one of the chubby fellows who will be bringing Roman games into the 21st century.

Above, the House of the Deer erotes bring you season's greetings for the New Year.

A big thank-you to all the people and parties who are behind these projects: Prof Katarzyna Marciniak, the University of Warsaw, the National Museum in Warsaw, the University of Roehampton, Prof Veronique Dasen, the University of Fribourg, and the European Research Council. In new news, Steve and I have just been made associates of The Past for the Present research & education programme, and we would like to thank the University of Warsaw again for that honour (cue little bow). Further thank-yous to everyone who came to our workshops and talks last year, everyone who wrote us nice letters, and to all of you for watching.

Wishing you a happy, healthy, and prosperous 2019, from Steve & Sonya at the Panoply Vase Animation Project.


Here's to a year of further adventures with ancient pottery!